Cunha Finds the Net to Snatch Manchester United a Draw at Elland Road.
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- By Jeffrey Gonzalez
- 01 Sep 2026
Rachel Sennott joins the online meeting and at once begins an explanation. “I can’t believe I’m late!” she exclaims, seeming genuinely regretful. She is only a couple of minutes delayed, she needs to justify. “My phone conversations always run long.” “Earlier calls made me late—I just can’t stop chatting!” Luckily, during an interview, that’s just what you want to encounter. Additionally, it’s fairly unsurprising. Those who know her unapologetically LGBTQ+ and brash project Bottoms—that she collaborated on with her creative partner and appeared in together with collaborator the talented actress—will understand that she has a lot to say, whether about roles, relationships, or the appeal of forming a youth brawl society. Furthermore, by the end her new eight-part show titled I Love LA, it is clear that the star holds additional thoughts regarding the challenges of young adulthood (Now in her thirties, she serves as a relatable figure of the gang, straddling eras with a knack for connecting different age groups).
The comparisons to Lena Dunham’s groundbreaking show naturally arise and the actress is an admirer, citing it in addition to the classic series, Issa Rae’s show and Atlanta as influences for I Love LA, which follows the struggles of an influencer Tallulah and ally who is also aspiring talent manager Sennott’s character. Perhaps, the largest spot on concept went to the popular sitcom, that program depicting a rising Hollywood star succeeding in a corrupt entertainment industry (choice quote: “happiness eludes everyone but failures in this city”). Sennott discovered it throughout the pandemic, became “captivated”, and resolved to add a fresh perspective on it “for the girls and the gays”.
“I sought to highlight online platforms as the new industry, since my professional journey launched there,” she explains. The inspiration for the series originated—partly—from firsthand, at first fractious, transition to Tinseltown and from the saturn return, a much-talked-about phenomenon for astrology heads. That period marked a phase that saw her learn some big insights, professionally and individually. “My twenties began with constant public emotional outbursts and disorganization,” she admits. “In my mid-20s, I moved to LA and got settled. And then I felt like everything started to just fall apart. “It resembled a series of extreme challenges…”
Raised in the East Coast, the star started developing and showcasing humor while enrolled in acting at New York University (NYU) Tisch School of the Arts. “I went through all the proper channels to try to perform, and they weren’t gelling,” she states. “Every campus humor group turned me down after tryouts.” “None of the university plays cast me either.” And I just felt like, what am I doing here?”
She decided to act independently, appearing at open mics with her friend and sharing hilarious (and very) unconventional online content online. One, titled Baby Cult, followed a group of women fetishistically obsessed with having babies; a different one portrayed being employed at a trendy retail outlet as like being trapped in a horror film. In a neat twist of fate, she met Emma through campus film circles and eventually starring in her initial project, titled Shiva Baby, an anxious film set at a funeral gathering with echoes of Uncut Gems. A recurring idea of her path, she explains, has been people her own age giving her a shot, as opposed to established gatekeepers. Does that mean bypassing the usual powers? “They were not involved”, she confirms, adding with a laugh: “Our victory isn’t their goal.”
Individuals who questioned regarding her then will likely be regretting it currently. In what she describes as a “incredibly circular” turn of events, she seems to have achieved an ideal role. In 2019 she posted a clip named “it’s LA” online, in which she lampooned film promos (“Everyone’s hooked on something”). Years later, she’s a lead creator (with Emma Barrie) of a show about Angelenos juggling advantages of online celebrity (such as celebrating at a famous actor’s house) with downsides (your associate being accused of being a substance-abusing criminal, and potentially becoming a unreliable pariah). Some could tempting to create a program about online fame that was extremely aspirational—or, even less favorable, one that punched down at its subjects. The series avoids both, creating a depiction of advantaged twentysomething living that’s honest about the grot and the appeal.
“Many programs portray youth and online life with disdain and mockery,” she says. “I think that young people have been through a lot – I’m mostly thinking of people younger than me, like my little sister, who went to college during Covid, so she had to come home, or my other sister who was doing school online.”|“The younger generation has faced significant
A travel enthusiast and writer based in London, sharing cultural insights and personal adventures from across the UK and beyond.